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Interviews with photographers, profiles and exploration of the work of well known photographers
Steve McCurry travelled to 12 countries in three continents to photograph the daily lives of people who produce the world's coffee. Spanning 30 years, it's been a dream assignment, he tells David Clark
Philip Jones Griffiths’ images portray the realities of the Vietnam War. We talk to Will Troughton, curator of a current exhibition of Griffiths’ archive about the upcoming Philip Jones Griffiths retrospective.
Armed with his collection of statues and figurines, Dan Picard painstakingly creates stylish scenes that mesh characters from different worlds and galaxies
Armed with a humble smartphone, the new master of minimalism is proving why you don’t need expensive kit to capture world-class images. Yener Torun talks to Natalie Denton
Aerial photographer Vincent Laforet tells us the secrets of his city shots taken from higher altitudes than any photographer has gone before
As the General Election descends upon us, we talk to political photographer Stefan Rousseau about capturing evocative and viral images
AP reader and retired doctor Clive Rowley discusses his love of black & white photography and the learning curve he has experienced through his work. He talks to Oliver Atwell
As a firefighter, mixed martial arts enthusiast and lens collector, how does AP reader Scott Hills find time to take photos as well? Debbi Allen finds out
AP reader and amateur photographer Martin Leighton reveals the secrets behind his beautiful landscape photos
Proving that it’s not just professionals capable of creating stunning images, AP reader Martin Gillman explains how his photography takes place in the head, with the camera being just a tool. He talks to Debbi Allen
Professional portrait photographer Phil Sharp shoots for major record labels and music magazines. Audley Jarvis talks to him
After 20 years with the Daily Express, David Cairns joined Today, Britain’s first national colour newspaper, in 1986 until it closed in 1996. He talks to Bob Aylott about four horrific days in Belfast and the picture that helped change the course of history
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