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Beginners guide to Portrait photography – How to get started

April 18, 2022

Portrait photography is one of the most popular types of photography, as we’re naturally interested in other people, as part of the human condition. As it’s taking photos of people it’s a great way to expand your photography, particularly as people are everywhere, and other people also enjoy looking at photos of themselves, so it’s a win-win all-round!


Welcome to the AP Improve Your Photography Series – in partnership with MPB – This series is designed to take you from the beginnings of photography, introduce different shooting skills and styles, and teach you how to grow as a photographer, so you can enjoy producing amazing photography (and video), to take you to the next level, whether that’s making money or simply mastering your art form.

Improve your photography from AP and MPB

Each week you’ll find a new article so make sure to come back to continue your journey. The start may seem basic to some photographers, but it’s an important step in making sure you’re comfortable with your equipment and the basics of photography, as it’s part of the foundations that help build into great photographs, and once you know these, you’ll be able to play with them, and understand further articles in this series.


To get started in portrait photography, you’re going to need just two things, a camera, and a subject. The subject could be another person, or if you can’t find another person, you can start with portraits of yourself, or even pets such as cats and dogs.

We’ll take you through what makes a good portrait, and the different types of portrait photography.

What makes a great portrait?

  • Framing and composition
  • Fun – don’t forget to have fun!
  • Focus – on the eyes!
  • Light and location
  • The subject

We’ll cover these topics in more detail, plus some accessories that can help you along the way.

Portrait, Ben Chapman, Fujifilm X-T30 II, Photo: Joshua Waller

Portrait, Ben Chapman, Fujifilm X-T30 II, Photo: Joshua Waller

Framing (and composition)

Previously we talked about the “rule of thirds” and this is a great alternative to shooting the subject in the centre of the frame. Look-out for distractions in the background, and move around till you have found the most pleasing framing. Work with the subject to try different positions, and see which works best.

Have Fun!

Capture the subject’s character, emotion, or a moment in time and you’ll have captured something great, or even true to who the person is, be they serious or silly. It’s important to enjoy photography, and if you can have fun while doing it, then this can make for some great portrait photography.

FOCUS – on the eyes!

It’s natural to look at someone’s eyes when talking to someone, and it’s the same with portraits, we’re naturally drawn to look at someone’s eyes, so it’s important, neigh essential to get the subject’s eyes in focus.

Focus on the eyes

Focus on the eyes – eye-detection auto-focus systems make this easier than ever before

It can be disconcerting to see photos of people when the eye isn’t in focus. With very shallow focus, it’s possible that only one eye will be in focus, but as long as one eye is in focus, then this will still give you a pleasing image to view.

Light (and location)

Light can make a huge difference to how a photo turns out, and it can literally make or break a shot. Have great light, and you’re likely to get a great shot, but have bad lighting, and you’ll struggle to produce a good result.

We’ll mention lighting several times when we’re talking about portrait photography, as it’s so important to the process, and this is where a reflector, LED lighting, or flash / studio lighting can really help you produce impressive shots.

Your location for the photoshoot also plays a big part in this, as you’ll find some places have great lighting, and some don’t, so it’s definitely something to be aware of.

If you’re planning on using natural lighting, then have a look at our guide to capturing stunning portraits in natural light.

The subject – People

A great place to start is with friends and family, but if you don’t yet have the confidence to try this, then start with yourself, start with self-portraits (details below), and practice different camera setups, different lenses (if you have them), different lighting and locations.

Perhaps the most important aspect of the portrait is the person in the photo – it’s your job to capture them.

Working with people and capturing their essence can be difficult, as some people freeze as soon as you hold up a camera to them. This is where your relationship with the subject(s) comes into play. The more relaxed you are or the more able you are to create a relaxing or fun environment then the more your subject should be able to feel able to be themselves. Sometimes adding music to the environment can help ease the tension.

If you’re able to capture them in a flattering pose, or in an image that makes them look better than anyone else has made them look, then they’ll come away loving your photographs. If you’re working with a model, then don’t forget to complete a model release form. Trust us, it will save any potential issues further down the line, and means that you have the rights needed to use the image.

What about bokeh?

Note in all of the above, we haven’t mentioned the B word? Bokeh… because yes, bokeh and background blur can help you create a portrait that pops out from the image, but it isn’t everything. It’s certainly something that tends to go hand in hand with portrait photography. But if you’re an environmental photographer or reportage photographer, then your primary aim may not always be “killer bokeh”, but instead about capturing the surroundings as well, so that you can effectively show the whole scene in an image.

However, if you do want to play with background blur, then using a lens with the aperture set wide “open” will help here, with f/1.8 giving a more blurred background than f/2.8 or f/4 would. If you’re looking for a starting point on the kind of lens you might need for portrait photography, have a look at our guide to portrait lenses.

What about editing? Colour or black and white?

Colour, or black and white? You decide. Whether you produce colour or black and white images will be up to you, and the look you want to give. We’ve got a guide to black and white portrait photography here.

Colour or black and white? Which do you prefer?

Colour or black and white? Which do you prefer? Model: Lucy Woodroffe, Photo: Joshua Waller

Editing is another thing – this can turn a 30-minute shoot, into a 3-hour shoot, particularly if you need to edit every photo, and one of the reasons why people always talk about getting it right in-camera. We discuss editing in more detail below.

What are the main types of portrait photography?

There are a number of different types of portrait photography, and whilst they aren’t hard and fast rules, it can be useful to find out more about the different types, particularly if any of them appeal to you more than others, as then you can go on to learn more about them, and improve your photography skills in each area.

1 – Traditional Style Portrait

Headshot portrait, taken in a studio, Photo: Morsa Images / Getty Images

Headshot, taken in a studio, Photo: Morsa Images / Getty Images

The traditional portrait or “headshot” is predominantly shot in a studio where you have complete control over the lighting and backgrounds, with studio flash you can use smaller apertures, get more of the subject in focus and produce beautifully crisp, sharp and detailed photos.

Which you’ll then potentially need to edit, to remove any blemishes or spots, depending on the planned use for the image. If you’re shooting for fashion, or portraits of models, then each person may have different needs and expectations in terms of how much editing they want to happen to the image.

If you’re not a fan of editing, and want to capture subjects “warts and all” then make sure you let them know before-hand. Follow this link if you’re wanting to know more on how to take beautiful portraits (and edit them).

2 – Lifestyle / natural / environmental portraits

In this shot, taken in a courtyard of an outdoors café, an LED light was used to add in some other lighting to brighten the subjects face. Credit: Joshua Waller

In this portrait shot, taken in a courtyard of an outdoors café, an LED light was used to add in some other lighting to brighten the subjects face. Credit: Joshua Waller

Capturing the subject in their own natural environment, living their life – this could be genuine or posed to portray a certain “lifestyle” and can give an image more character and interest than simply using a blank background. However, one of the biggest challenges of shooting in the subjects natural environment, particularly outdoors, or indoors, is that you’re relying on either the sun (which may not show up) as a light source, or the lighting in the room you’re in.

This is where a few simple accessories can come in, and be particularly useful to add in some additional lighting, whether that’s a small reflector, or LED lighting. You may need to be flexible, and be prepared to work with potentially distracting backgrounds, or move around until you’ve found the best location, or the best lighting conditions. If you’re happy to travel, this can be a fun way to explore your local area, and find new places to photograph.

3 – Group portraits – Family / group / couples / friends

Flash or another light source has been used in this shot. Credit: Flashpop / Getty Images

Flash or another light source has been used in this shot. Credit: Flashpop / Getty Images

Want to know what makes a group portrait? As soon as you’ve got more than one person in the shot, you’re now taking a group portrait. You’ll find that couples, families, colleagues and groups of friends love being in photos together. Some may naturally get together and position themselves in a natural form, but most likely you’ll need to guide them to ensure they position themselves in the best possible manner.

In many ways, much of the guides to taking great portraits also applies to group portraits, but instead of simply keeping one pair of eyes in focus, you now need to keep all subjects in focus, and for this you may need to adjust the aperture, instead of f/1.4, you might need f/2.8 or f/4 so more is in focus. It’s also a good idea to take multiple shots, just so you can make sure no-one is blinking.

Read our guide to shooting family portraits here.

4 – Event portraits and event photography

Caption: This shot was taken using the available light, and due to the mixed, and mostly unflattering lighting, this image was converted to black and white. Credit: Joshua Waller.

Caption: This shot was taken using the available light, and due to the mixed lighting, this image was converted to black and white. Credit: Joshua Waller.

Events can be fun, but can also be hard work. If you’re relying on additional lighting, such as a flashgun, make sure your battery is fully charged, and the same is true for your camera. Make sure you have spare batteries. If you’re photographing people at an event, whether that’s a party or an awards ceremony, you often have one chance to get the shot. You won’t be able to stop an awards ceremony and ask people to wait while you change your battery!

You’ll also need to be aware of the lighting conditions, and bring additional lighting just in case. In this shot, photographing people at an “after party” following an event, the lighting was mixed, but good enough to give good images of people. In other venues, the lighting could have been too dark to shoot without the use of flash or LED lighting.

5. Self-Portrait or “Selfie” portraits

Lucy Woodroffe taking a selfie, photo Joshua Waller

Lucy Woodroffe taking a selfie, photo Joshua Waller

If you’re shy in front of the camera, and not too keen when other people try and take photographs of you, then why not take some self-portraits, so you are in control of the full process?

Setup your camera on a tripod, and if your camera lets you remotely control it, then you can start taking photos of yourself. Alternatively, you could use the camera’s self-timer feature, or use a remote-release cable.

However, one of the best ways to do this, is to use the camera’s remote-control app, connecting to the camera’s Wi-Fi, and then you can see yourself on your smartphone while you take the photo(s). This way you’ll be able to find your best angle, your best look, and find the best lighting for the shot.

You’ll find some self-portrait inspiration from Barbara Farkas who used self-portraits to raise environmental issues.

6. Festivals and music portraits

Festival photograph, Photo: Joshua Waller

Festival photograph, Simon Naylor, Photo: Joshua Waller

Festivals are a wonderful place to take photos of people – there are often plenty of characters, and many people put a great deal of effort into fancy dress, they’re also often quite happy to have their photos taken. If you enjoy this type of photography, and can produce lots of great photos, you may even find this is a potential area for work.

Another type of portrait photography you can practise at festivals is live music photography, along with band photography, with band members making for great photography subjects. Expect challenging lighting conditions (indoors or when the sun sets), plus lots of potential distractions from the subjects, whether that’s microphone stands, other people or random objects in the background.

If music photography is your “gig” then have a look at our guide to music photography.

7. Reportage / Story telling

Environmental portrait, photo Joshua Waller

Portrait taken as part of a story about Reach Homes, photo Joshua Waller

This is a fantastic way to meet people in your community, or your neighbourhood, you could start a project documenting your neighbourhood, community projects, or even just your neighbours. There have been several projects like this, during lockdown for example, and it’s a fantastic way of building community, as well as including people who might not normally have portraits taken of themselves. You could use this to highlight an issue, or bring to light some of the unseen parts of the world.

You could combine it with Street Photography (more on this below), and simply capture the people and events that are happening around you. If you take your camera with you everywhere you go, you never know what you might capture, and if it’s something newsworthy, then it could end up in the news.

8. Wedding Portraits

Portrait of Beautiful young bride in white wedding knitted dress with nice bouquet of flowers,

Bride with bouquet, Credit: Viktoriya Dikareva, Getty Images

Wedding photography is a potential money earner with many photographers specialising in wedding photography. This type of photography can be a great place to create some beautiful looking images, but with it comes the pressure of having to get it right first time.

There are no do-overs with wedding photography. If you’re the primary photographer, it’s your job to get it right on the day, with no room for mistakes or problems with camera equipment.

If you’re a guest at a wedding, it can be a fun place to take some candid portraits, and casual shots, as long as you don’t get in the way of the main photographer!

9. Street Portrait Photography

Couple on the tube. Photo: Joshua Waller

Couple on the tube. Photo: Joshua Waller

If you enjoy people watching, and live in a relatively populated area, then this could be a great photography genre for you, and it almost goes without saying that Street Photography is about people.

Take your camera with you everywhere you go, and you might just catch a beautiful moment between two people, or an interesting character or person on the street. We’ve got lots of great tips on street photography, including a guide on what you need to know regarding the law and street photography.

But wait, there’s more portrait photography types… click these links to find out more:


Tune in next week, for the next article in the series of the AP Improve Your Photography Series – in partnership with MPB.

Find the latest Improve Your Photography articles here.


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