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Olympus Pen E-P2

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Wasting no time at all, Olympus has updated its Pen E-P1 camera just five months after it was released. Richard Sibley tests the Olympus Pen E-P2 to find out what has been changed

Our verdict

There are many things to like about the Pen E-P2, and most of these are the same features that appear in the E-P1. This is because, besides the EVF, there is little in the way of a ‘giant leap forward’.

The EVF is impressive, and when combined with the Micro Four Thirds interchangeable lenses it starts to handle like an SLR. Of course, those without the need for an EVF can opt for the cheaper E-P1.

You would expect that the second camera in a range would have more improvements and features, instead of the refinements than have been added to the EP-2. The addition of the accessory port allows those who want to hold the camera up to the eye, or those requiring better sound quality, a suitable camera. However, making this relatively small upgrade so soon after the original camera was released may infuriate a lot of photographers who bought the E-P1.

I see the E-P2 as a discreet camera for when you don’t want the added weight of a DSLR. However, the lack of a built-in flash is frustrating, though this issue has been addressed with the recent launch of the E-PL1. Look out for our review in a forthcoming issue of AP.

Olympus Pen E-P2 – Key features


The Olympus Pen E-P2 comes supplied with Olympus Master 2 software suite. Raw files can also be opened and edited with Adobe Camera raw 5.6 and Lightroom 2.6.

Image stabilisation
To help keep images blur-free, the Olympus Pen E-P2 has sensor-shift image stabilisation. Olympus claims that this stabilisation allows exposure times to be increased by up to 4EV.

Level gauge
A built-in image level can be displayed on the rear LCD screen to help make sure all your images are level with the horizon.

  • White Balance: Auto, 8 presets, plus custom setting and Kelvin adjustment
  • Built-in Flash: No
  • Dioptre Adjustment: -3 to +1
  • Viewfinder Type: VF-2 EVF with 1.4 million dots
  • Memory Card: SD/SDHC
  • Shutter Type: Electronically controlled, vertical-traverse focal-plane shutter
  • Output Size: 4032x3024pixels
  • Field of View: Approx 100%
  • LCD: 3in with 230,000 dots
  • AF Points: 11 points, auto or manual selection possible, plus face detectionDoF preview
  • White Balance Bracket: Yes, over 3 frames in steps of 2, 4 or 6 mired
  • Sensor: Live-MOS with 12.3 million effective pixels
  • Max Flash Sync: 1/180sec
  • Focal Length Mag: 2x
  • Exposure Modes: iAuto, program, aperture priority, shutter priority, manual, plus 19 scene presets and 8 Art Filters
  • Weight: 335g (without battery or card/s)
  • File Format: Raw, JPEG, raw+JPEG simultaneously
  • Power: Rechargeable Li-Ion battery BLS-1 supplied
  • Shutter Speeds: 60-1/4000sec in 1⁄2 or 1/3EV steps plus bulb
  • Drive Mode: Max 3fps for unlimited JPEGs or 11 raw files
  • Colour Space: Adobe RGB, sRGB
  • Exposure Comp: ±3EV in 1⁄3, 1⁄2EV or 1EV steps
  • RRP: £849.99 (body-only), £899.99 (with 14-42mm kit lens)
  • Lens Mount: Micro Four Thirds
  • ISO: 100-6400
  • Focusing Modes: Manual (with focus assist magnification), AF-S, AF-C, AF tracking
  • Dimensions: 121x70x36mm
  • DoF Preview: Yes (on LCD screen)
  • Metering System: Digital ESP, centreweighted and 2% spot, plus highlight/shadow spot metering
  • Connectivity / Interface: USB 2.0 Hi-Speed
  • Compression: Three-stage JPEG
  • Tested as: Entry-level hybrid

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