Fujifilm’s rangefinder-style medium-format mirrorless camera offers addictively high image quality in surprisingly portable package, as Andy Westlake finds out

Product Overview

Overall rating:

Fujifilm GFX 50R

AWB Colour:
Dynamic Range:
Image quality:
LCD viewfinder:


  • + Superlative image quality, with stunning detail and dynamic range
  • + Excellent design places all key controls at your fingertips
  • + Intuitive dial-led operation gives a fluid shooting experience
  • + Excellent viewfinder and screen enables precise composition
  • + Robust, weather-resistant construction


  • - Sluggish autofocus
  • - Slow continuous shooting
  • - Screen only tilts in one direction
  • - Image stabilisation limited to two telephoto lenses


Fujifilm GFX 50R review


Price as reviewed:

£3,999.00 (Body Only)

Fujifilm GFX 50R: Image quality

With the same 51.4MP medium-format sensor and X-Processor Pro on board as previously used in the GFX 50S, unsurprisingly we see much the same image quality in our tests. Fine detail is rendered with stunning crispness and clarity, which is accentuated in the camera’s low-ISO JPEG files by strong, fine-radius sharpening.

Fuji GFX 50R Velvia sample

Fujifilm’s Velvia mode gives stunning, strong colours that still look natural. GF 63mm F2.8, 1/300 sec at f/8, ISO 200.

Colour output is as attractive as usual from Fujifilm, with the various film simulation modes providing a good range of options. Yet this stunning quality is achieved using a conventional Bayer sensor, which makes me wonder why Fujifilm is so wedded to the more complex X-Trans sensor for its premium APS-C models.

Fujifilm GFX 50R: Resolution

At ISO 100, the GFX 50R records a massive 6,000 lines per picture height when measured against our test chart, which is about as much as its 51.4MP sensor could possibly achieve (note that its slightly taller 4:3 aspect ratio gives it a slight advantage over 3:2 full-frame models in this test). Resolution drops slowly as the sensitivity is raised, and even at ISO 1600 we still measure a hugely impressive 5600 l/ph. At higher settings noise has an increasingly deleterious effect, but 4800 l/ph at ISO 12,800 is still a strong showing. At the top ISO 102,400 setting, though, this drops to 4000 l/ph.

Fujifilm GFX 50R Resolution, Raw ISO 50

Fujifilm GFX 50R Resolution, Raw ISO 200

Fujifilm GFX 50R Resolution, Raw ISO 800

Fujifilm GFX 50R Resolution, Raw ISO 3200

Fujifilm GFX 50R Resolution, Raw ISO 12800

Fujifilm GFX 50R Resolution, Raw ISO 51200

Fujifilm GFX 50R Resolution, Raw ISO 102400

In the 100% crops above, multiple the number below the lines by 400 to calculate the resolution in lines per picture height. These tests were shot using the GF 63mm F2.8 R WR at its sharpest aperture of f/5.6.

Fujifilm GFX 50R: ISO and noise

At low ISO settings the GFX 50R gives absolutely stunning images, with a no visible noise and remarkable delineation of the finest low-contrast detail. This quality persists up to ISO 800, and it’s only really at ISO 3200 that we see any obvious degradation when examining images close-up onscreen. By ISO 12,800 quality is suffering badly from noise, although the camera’s own processing does a better job of maintaining colour than the Adobe Camera Raw-converted samples we’re looking at here. Beyond this, however, things go downhill fast, with colours fading and serious problems with noise. ISO 25,600 might sometimes be usable at a pinch, but I’d steer well clear of the top two extended settings.

Fujifilm GFX 50R Noise, Raw ISO 200

Fujifilm GFX 50R Noise, Raw ISO 800

Fujifilm GFX 50R Noise, Raw ISO 3200

Fujifilm GFX 50R Noise, Raw ISO 12800

Fujifilm GFX 50R Noise, Raw ISO 51200

Fujifilm GFX 50R Noise, Raw ISO 102400

Fujifilm GFX 50R Noise, Raw ISO 50

  1. 1. Introduction
  2. 2. Fujifilm GFX 50R: Features
  3. 3. Fujifilm GFX 50R: Build and handling
  4. 4. Fujifilm GFX 50R: Viewfinder and screen
  5. 5. Fujifilm GFX 50R: Performance
  6. 6. Fujifilm GFX 50R: Image quality
  7. 7. Fujifilm GFX 50R: Verdict
  8. 8. Fujifilm GFX 50R Specifications
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