Everyone is raving about it, but just what makes the Leica Q so good? Richard Sibley puts the premium compact to the test
You can probably already tell that I really enjoyed my time using the Leica Q, and that is all down to the way the camera performed. As I said previously, it isn’t so much that there are one or two standout features of the camera, but rather the way that the camera operates as a sum of all its parts is what makes it a real pleasure to use.
We’ve established that the autofocus and handling of the camera, as well as the EVF and rear screen, are excellent, but what about the features that affect the image quality of the camera? The evaluative metering performs well, although I did find that it had a slight tendency towards retaining highlight detail. This produced some images that many photographers would think slightly underexposed. Obviously, this is easily rectified, as plenty of detail that can be recovered from the shadow areas without introducing much in the way of luminance or colour noise. Spot and centreweighted metering modes are also available and these perform exactly as you would expect them to.
There are a variety of different colour modes available in the camera, although the one that really caught my eye was the monochrome setting. With this setting customised to increase the contrast, I found that the black & white images looked as though they had been taken with a red filter, with blue skies looking particularly dark and moody. Black & white images taken in this mode looked fantastic.
Images can be saved as either JPEG or DNG raw files. Generally, the JPEG images produced in-camera look good, although they do benefit from a slight increase in sharpening. While the DNG raw files can be opened in virtually all raw image-editing software, a full copy of the latest version of Adobe Photoshop Lightroom is included with the camera. When editing the raw files I found that there was a lots of recoverable detail in both highlight and shadow areas, and the files responded well to some fairly harsh lifting of the shadow areas.