APu2019s forum competition - sponsored by Samsung - offers our readers a monthly opportunity to showcase their most creative and dazzling images with the forum community. Here we present each monthu2019s winners

AP Forum Competition Winners 2012

Internet forums

can offer the opportunity to share information, give advice and, in the case of

our own web-based community, show of your well-honed photographic skills.


Each month our

competition presents our forum members with a Samsung 32GB Micro SD card with SD

adapter for the winner, and 8GB cards and adapters for the second and third

places. Second and third places also get an ‘Amateur Photographer Loves My

Pictures’ mug.

 January – Cold As



Benchista has

created a wonderful picture that shows us an amazing view, in amazing conditions

and in amazing circumstances. You can feel the cold just from the coolness of

the cyan/blue sky, and the blue shadows and mist in the mountains further that


The blues seem so

much cooler because of the warm colours of the sun on the frozen lake in the

foreground – cover it over with your hand to see what we mean. It’s a long thin

picture, but it doesn’t need cropping top or bottom, as the stripes of blue,

grey and peach are very comfortably proportioned. And our favourite bit? That long

shadow behind the man on the ice.

Great shot,


February –

Contre-Jour/Lit From Behind

Flaming Hair

What an absolutely

stunning picture. The colours are incredibly powerful. Technically, of course,

it is dreadful, with all that lost detail and pixelation, but had it been

crispy and detailed it would not have possessed half the charm or the same

degree of drama.

The girl’s hair is

alight with the fire of the setting sun, and the wind blows the flames across

the frame. The sea in the background is like molten lava flowing at her feet.

The colours are so intense you’d be forgiven for being unsure if this was a

vision of heaven or of hell, although we’d be inclined to believe it is the


Just brilliant,

and the kind of picture you can go back to again and again.

March – Still Life

You’d have to be

lactose intolerant to not be drawn to this image. You can taste what those

things would be like in your mouth, and smell what your nose would experience

were you to place your nostrils close to the warm, melting, soft, gooey slabs.

The focus ensures

we maintain our attention at the action-end of things, as if the draw were not

strong enough already. And the softening into the distance delivers a faint

hint of romance. The plain background gives us nothing with which to distract

ourselves, and the clever backlighting aids depth and gives a sense of place

rather than pure, factual studio.

April – In The


Spring Sunshine

This is the kind

of picture that is so great you think it must be constructed. The arrangement

of the heads, and the perfect depth of field that makes the stamens stand out

but which still allows the defining shapes and colours of the daisies to be

described, look very organised. The perspective is close-to, as from a standard

lens that allows big foregrounds and exaggerated differences.

The colours,

pastel but bold at the same time, are simultaneously vibrant and relaxing.

Their distinctive characteristics are strangely familiar – unusual and typical

in one. IanJTurner has clearly thought about what he wanted to do, and has done

it in a deliberate manner. It’s very good.

May – Something


Clematis Head

This is a pretty

amazing shot. It’s a great subject, for sure, but as we all know that doesn’t

make a picture on its own. It is a combination of great lighting, a good choice

of background and blue tone.

We’re pleased

Devon_Eric didn’t decide to make the background completely black as that would

have introduced a harshness to the image. Having a moderate grey works very

nicely, providing just enough contrast to make the subject stand out, but

without overdoing the contrast to make the shot dramatic. The light from behind

creates that bright furry edge, as well as the darkness in the core of the

head, and that catchlight on either side of the stem prevents it disappearing

into the background.

 June – Non-Human


Life? Certainly

not as we know it, Jim


We loved this

picture from the first moment we saw it. For us, it conjures up images of

strange sea creatures, perhaps the distant cousins of jellyfish, and red blood

cells, photographed with microscopic precision. But that’s not why we like it.

Its appeal lies in its ambiguity. It’s not entirely clear what the subject is

but whatever it is, it is mesmerising. The glistening blood-red colour, what

appear to be splashes from the top of the objects and mesmerising, swirling

patterns all come together to form a compelling image. Technically strong and

nicely lit, the allure of this image is in its abstraction.

July – Travel

Marty G

This image is

uncomplicated, unfussy and like the sketches Bert makes in the film Mary

Poppins, makes us want to leap into the picture and join these travellers on

their adventure. We’re used to seeing landscape images shot in a horizontal

format, but fewer are shot vertically – and successfully. One of the main

strength’s of this picture is Marty G’s decision to shoot vertically so the

people are at the bottom of the frame. They are perfectly placed in the centre

and the light falls on them in such a way as to highlight their expressions and

gestures. We, the viewers, want to follow the people beyond the edge of the

frame and it is this impression of motion that is the photograph’s key.

August – Olympian
Future Olympians?


This image stood

out straightaway. The expressions on the children’s faces – their sense of

anticipation, determination and focus – is palpable. It’s unclear where this

image was taken, but its suggestion that these children may be Olympic

champions of the future is a clever take on the theme.

From a technical

point of view, the lighting is great and the exposure spot-on. The variety of

tones and shadows on the figures, coupled with the shallow depth of field,

helps to give the image depth. It’s good how Devon_Eric has crouched down

slightly to the children’s level to take the shot, which draws the viewer into

the scene, and we like how he has used the surrounding figures to frame his

main subject.

September – Leaf
New leaves

RexK’s picture is

a particularly strong example of backlit plants and flowers. There is something

very delicate about the lighting that grabbed us straightaway. You could be

forgiven for assuming it was taken with natural light and the way the light

illuminates the reds, pinks, oranges and yellows of the leaves is fantastic.

The light also accentuates the vein patterns of the leaves to interesting


It may sound

silly, but it is a moving image. There is something quite touching about the

scene – a flourishing plant against a dark, menacing background. In this way,

there is a kind of story at play here that you don’t often find with plant

images. It’s a strong and worthy winner.

October – Above

Your Head/Looking Up

Shinjuku, Tokyo

Without the bird

this image would be sorely lacking and not half as striking as it is – the bird

anchors the picture and provides a vital focal point. Did Yebisu find this

scene, frame the shot and then wait for the bird to fly into the frame, or was

it was a happy coincidence that the bird appeared?

This is an

excellent image and it is clear that a lot of thought has gone into the

composition’s design – the interplay of the light and the material of the

buildings, and the buildings’ leaning angles, for example. We also love the

traces of grain you can see in the buildings and sky, which contributes to the

image’s authentic, timeless feel, and the subtlety of tone throughout.

November – High



Late-Night Concert Crowd


It’s often

difficult to pinpoint exactly why an image catches your eye, but this one does

for a couple of reasons. First, the silhouetted figure towards the left of the

scene commands the space so well without being overbearing. Even though he is a

silhouette he is a very strong presence, indeed the focal point of the picture.

The light source

positioned neatly above him in the top left-hand corner is another

compositionally strong feature and draws the eye first. The golden light gently

outlines the gaggle of people in the image. The use of light here is super – it

is as much a character in the scene as the figures themselves. It’s a very

interesting winner for November.

December – Where’s the colour gone
Winter Swan


seem to be a recurring theme in the art of the Western world. It began all the

way in the 1500s when Leonardo da Vinci produced his now lost painting of the

story of Leda and the Swan. Ever since then the brilliant white bird has popped

up time and again making it a enduring symbol and subject. They’re undoubtedly

a popular theme in photography too. Take a look at the wildlife photography of

Alex Saberi for a good example.


have to say this image leapt out at me right from the start. I’m a sucker for

fairy tales. As a child I wasted many an evening devouring the stories of the

Brothers Grimm, Angela Carter and Hans Christian Anderson. It’s difficult not

to look at this image and feel like a child again. The image is saturated in

atmosphere. It almost seems to be from another world entirely. I just love the

mist, the swan, the hazy sun and the trees that look like twisted hands. It’s

only when you notice the park bench in the background that you realise the kind

of location this was taken in.


my money this is great interpretation of the brief. When faced with the title

‘Where’s the Colour Gone?’ the obvious choice would be to produce a monochrome

image. But here we see that JaySteel (and a few of our other submissions) chose

to take a different approach. The autumn and winter months seem to drain the

colour from the environment and leave behind washed-out, murky tones. The mist

creeps into the landscape and obscures the horizon, rendering the objects there

as barely in-focus silhouettes. Look to the sky and you can see the sun

fighting a losing battle against a ground level ocean of grey.


compositional balance of the image is subtle but effective. It’s the

reflections of the trees and the hook of the swans neck and head that hold

everything in place. Perhaps there could have been a little more space between

the edge of the frame and the swan’s reflection but that’s a minor quibble. The

fact is, it works.


in all this is a shot that I’m very fond of and is, in my opinion, a more than

worthy taker of the number one spot of this particular round. Congratulations

to JaySteel.

2013 Themes

Taking part in a

light-hearted contest like the monthly AP forum competition is great fun,

inspiring and can help you get a bit of direction into your photography.

Here are the

themes for 2013, so you can plan ahead.

Visit www.amateurphotographer.co.uk/forums (monthly competition) for a full briefing.

  January               The Colour of Night
  February   The City Up Close
  March   In the Shadows/Light and Dark
  April   Framing the Shot
  May   Looking Down
  June   Seeing Double/Reflections
  July   Square Format
  August   Human Wildlife
  September   Reach for the Skies
  The New and the Old
  November   Wild World/Animals
  December   Winter Wonderland

AP Forum Competition Winners 2012 sponsored by Samsung