Get up close and personal for great shots... Our experts suggest getting creative with compositions and backdrops and keeping a close eye on the details while watching out for distractions

Avoid a black background

Credit: Colleen Slater

Avoid a black background

Colleen Slater

To achieve a natural look when using ash as the only light source, angle a leaf upwards, behind the subject or the petals of a flower in order to create a natural-looking backdrop. Or shoot up towards a bright sky, which will render as blue, use water as a backdrop or try using a board/fabric close to the subject.


Creative cropping

Credit: Sue Bishop

Creative cropping

Sue Bishop

Try photographing just a section of a flower, cropping right into it so that the petal edges are cut off. Make sure though that your crop looks definite enough to come across as though it’s intentional – if you only crop off a couple of petal tips, it might just look like a mistake. Plus, if you fill the frame with your flower, you won’t have to worry about backgrounds.


Check the edges

Credit: Tracy Calder

Check the edges

Tracy Calder

Grass, twigs and leaves can sneak into the frame when you’re concentrating on the main subject. Most of the time you can crop these out later, but it’s good practice to get things right in-camera. Use live view and magnify the focus area. Now pan around the frame, paying particular attention to the edges.


close-up details

Credit: Mark Benham

It’s all in the detail

Mark Benham

When it comes to food photography, I like to get close and personal to my subjects, as it can give my shots that special intimacy. The texture of a cabbage leaf is truly wonderful if you really look, while the cracked hands of someone who has worked on the land all their life tells its own story. Take advantage of interesting textures and details, and compose shots in a way that draws in the eye.