The Panasonic Lumix DMC-GX8 may be the first Micro Four Thirds camera to sport a 20.3-million-pixel sensor, but it has a whole host of other updates too. Andy Westlake takes it for a spin

Product Overview

Overall rating:

Panasonic Lumix DMC-GX8

Features:
Build/Handling:
Metering:
Autofocus:
AWB Colour:
Dynamic Range:
LCD viewfinder:

Pros:

  • + Impressive feature set
  • + Effective in-body image stabilisation
  • + Excellent viewfinder and screen
  • + Great image quality in raw

Cons:

  • - Relatively bulky
  • - Connectors block articulated screen
  • - Uninspiring JPEG colour output
  • - Pedestrian styling

Product:

Panasonic Lumix DMC-GX8 review

Manufacturer:

Price as reviewed:

£1,000.00 (body only)

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Panasonic Lumix DMC-GX8 review: Verdict

GX8 top silver

The GX8 is weathersealed when used with premium lenses like the 12-35mm f/2.8

It may not have the retro styling and overall charisma of its most direct competitor, the Olympus OM-D E-M5 II, and on first impressions you could be forgiven for thinking that it is oversized for its sensor, but once you get past this there’s a lot to like about the Panasonic Lumix DMC-GX8. It fits nicely in your hand, and the large grip works well with long lenses. The control layout places most key settings at your fingertips, especially if you’re prepared to spend a bit of time working through the customisation options in the menus, and this means that shooting with the GX8 is a fluid and enjoyable experience.

The offset viewfinder may not be to everyone’s taste, but there’s no denying the quality of the view it offers. Likewise, the fully articulated LCD is a welcome improvement over the GX7’s tilt-only version. The result is something that’s a bit different to the current fashion for SLR-style CSCs, and while the GX8 may not be to everyone’s taste, it’s good to have the choice.

In many ways the main attraction of the GX8 is its ability to record high-resolution 4K video, and to use the same technology for 30fps stills capture via Panasonic’s well-thought-out 4K Photo technology. This allows users to explore fast-moving action in a way that quickly becomes addictive. Overall, the GX8 is probably Panasonic’s best CSC yet, and a very capable competitor to the likes of the Olympus OM-D E-M5 II and Fujifilm X-T1.

TESTBENCH GOLD 5

  1. 1. Panasonic Lumix DMC-GX8 review - Introduction
  2. 2. Panasonic Lumix DMC-GX8 review: Features
  3. 3. Panasonic Lumix DMC GX8 review: Viewfinder and screen
  4. 4. Panasonic Lumix DMX-GX8 review: Build and handling
  5. 5. Panasonic Lumix DMC-G8 review: In-body/dual IS
  6. 6. Panasonic Lumix DMX-GX8 review: Performance
  7. 7. Panasonic Lumix DMC GX8 review: Image quality
  8. 8. Panasonic Lumix DMC-GX8 review: Verdict
  9. 9. Panasonic Lumix DMC-GX8 review: Specifications
Page 8 of 9 - Show Full List
  • RadiantFlowers

    Title needs updating, this is GX8, not G8
    “Panasonic Lumix DMC-G8 review: In-body/dual IS”

  • sam

    Some people for some reason get their kicks out of criticising everything they can’t afford. Such a bitter person hoping a company which is innovating more than most to bring us new features (and profit for themselves of course, they are ‘in business’) loses money on a product is just plain negative. If it’s not something he likes he should just turn the page and move on.

  • entoman

    Cameras just keep getting better and better don’t they!

    Every month one manufacturer or another adds a new innovation or a leap in quality, creating a really competitive market. We’re really spoilt for choice nowadays.

    It’s fantastic to have so many absolutely superb cameras to choose from, with a huge choice of models from Canon, Nikon, Sony, Olympus, Pentax, Fuijifilm and Panasonic.

    There quite literally is something that is perfect for everyone.

  • entoman

    I’m a DSLR man, but if I was in the market for a rangefinder-style, interchangeable lens, mirrorless camera, this is most definitely the one I would buy. The specification is excellent, the size is sensible, quality of construction faultless.

    Of course, the major advantage of the 4/3rd system (masses of high quality, lightweight, compact lenses to choose from), is outweighed to a large degree by the limitations of the small sensor (lowish pixel count, noise at high ISO). But, unless you are shooting for publication, it’s probably adequate – and future 4/3rd cameras will undoubtedly overcome many of the current sensor’s limitations. For amateurs it’s a good system to buy into, and can only get better.

  • poopchute

    You clearly haven’t been paying attention, if you think it is unremarkable. And I’m curious, how exactly are they trying to rip off the public?
    I too thought it was a little ugly at first, but it has grown on me. But that doesn’t really matter anyway, does it? It’s just personal opinion. For example, I think Soccer was created so the mentally challenged have something to entertain themselves with. But, that’s just my opinion.

  • Turbofrog

    Nothing remarkable about it except for one of the biggest viewfinders of any camera on the market (FF and MF DSLRs included), one of the most sophisticated image stabilization systems, one of the most sophisticated 4K video implementations, some of the best direct controls and touch-screen UX, full weather sealing, and image quality that competes strongly with other new camera models that cost the same? Nothing remarkable except for all those things?

  • Chris Hawley

    VERY ugly camera, and nothing remarkable about it. Impossible to justify charging £1000 for something this mundane. Hope they lose money on this, trying to rip off the public.