The Olympus OM-D E-M5 Mark II may at first glance look similar to its predecessor, but it's a very different camera underneath. Andy Westlake examines it in fine detail in our Olympus OM-D E-M5 Mark II review

Product Overview

Overall rating:

Olympus OM-D E-M5 Mark II

Metering:
Autofocus:
Features:
LCD viewfinder:
Build/Handling:
AWB Colour:
Dynamic Range:

Pros:

  • - Excellent JPEG image quality
  • - Fast, responsive operation
  • - Robust, weather-resistant body
  • - Almost all controls can be customised to suit the user

Cons:

  • - Complex menus are difficult to master
  • - Connectors interfere with articulated screen
  • - Raw image quality can't quite match larger sensor cameras

Product:

Olympus OM-D E-M5 Mark II review

Manufacturer:

Price as reviewed:

£899.00 (body only)

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Focusing

Olympus OM-D E-M5 Mark II low light portrait

With its reliable face detection autofocus, the E-M5 Mark II has no trouble focusing on off-centre subjects. This example was shot using the relatively inexpensive Olympus m.Zuiko Digital 45mm f/1.8 lens wide open.

We’ve become used to CSCs offering fast, accurate autofocus, and the E-M5 Mark II is no exception. Its 81-point contrast-detect AF system covers most of the frame, and can automatically switch to face detection when it detects a human subject. At this point it will even detect and focus on the closer eye, which is usually what we want to do. When using the EVF, the focus area can be set using the D-pad on the back of the camera; with the LCD it can be selected by simply tapping the screen.

Traditionally CSCs have not been so great at following moving subjects, but the manufacturers have made great strides here in recent years. The Mark II isn’t top of the class, as it has no phase detection elements on the sensor and therefore can’t match the likes of the Samsung NX1, Sony Alpha 6000 or its big brother the E-M1. Instead it can ‘only’ shoot at 5fps with continuous AF, which will likely satisfy many users. But if you spend a lot of time shooting fast-moving subjects, it might not be your best choice.

For manual focus, both an image-stabilised magnified view and a focus peaking display (that detects and highlights high contrast edges) are on hand to help with critical focusing. The two can be combined, and the latter is nicely customisable, with a choice of highlight colours and intensities. I found peaking worked well both with modern, native primes and older manual focus optics – but magnified view gives the very best accuracy.

  1. 1. Olympus OM-D E-M5 Mark II at a glance
  2. 2. Features
  3. 3. Viewfinder and screen
  4. 4. Build and handling
  5. 5. Focusing
  6. 6. Performance
  7. 7. 40MP composite mode
  8. 8. Image quality
  9. 9. Dynamic Range
  10. 10. Detail and Noise
  11. 11. Conclusion
  12. 12. Page 12
Page 5 of 12 - Show Full List
  • Richard Anderson

    In reality, the 40MP mode’s resolution is about 50MP and is clearly better than the Nikon D810, if you directly compare them. The file stipulates 63MP, it’s size that is.
    All you need to do is run one sharpening pass in whatever program you use.