The Olympus OM-D E-M5 Mark II may at first glance look similar to its predecessor, but it's a very different camera underneath. Andy Westlake examines it in fine detail in our Olympus OM-D E-M5 Mark II review

Product Overview

Overall rating:

Olympus OM-D E-M5 Mark II

Metering:
Autofocus:
Features:
LCD viewfinder:
Build/Handling:
AWB Colour:
Dynamic Range:

Pros:

  • - Excellent JPEG image quality
  • - Fast, responsive operation
  • - Robust, weather-resistant body
  • - Almost all controls can be customised to suit the user

Cons:

  • - Complex menus are difficult to master
  • - Connectors interfere with articulated screen
  • - Raw image quality can't quite match larger sensor cameras

Product:

Olympus OM-D E-M5 Mark II review

Manufacturer:

Price as reviewed:

£899.00 (body only)

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Conclusion

Olympus OM-D E-M5 Mark II viewfinder

With its large, bright, high resolution EVF the Mark II is a joy to shoot with.

First of all, a disclaimer – I own and use an OM-D E-M5, so I’m naturally inclined to like the Mark II. But what’s struck me most, comparing the two side-by-side, is just how much work Olympus has done on improving the camera’s design and usability. All the little tweaks to the control layout really add up, and once set up to my liking, I’ve found the E-M5 Mark II to be a really excellent little camera to shoot with.

Indeed where the original the original E-M5 was a trailblazer for its type, the Mark II sees the concept of the small SLR-like CSC refined to being a really serious photographic tool. The superb electronic viewfinder, fully articulated screen, wonderfully quiet shutter, and extremely effective in-body image stabilisation system combine to make an exceptionally capable camera. The tiny bundled flash is unusually useful, with its bounce head and ability to act as a wireless commander, and the highly-improved movie features should make the Mark II very interesting to videographers.

Of course the big question is how the E-M5 Mark II stands relative to its peers. It lags behind a little APS-C cameras with regard to raw image quality, particularly in terms of noise at high ISOs, but on the other hand it offers very attractive out-of-camera JPEGs. And let’s not forget that the Micro Four Thirds mount allows use of a wide range of lenses from both Olympus and Panasonic, many of which are very small, yet optically excellent; a direct advantage of the smaller sensor.

Camera choice is all about compromises, and ultimately the E-M5 Mark II offers a hugely impressive feature set in a very portable package. The original E-M5 was extremely popular, and its replacement is a considerably better camera. For SLR owners looking to take the weight off their shoulders without sacrificing much capability, it’s a very compelling option.

GOLD 5

  1. 1. Olympus OM-D E-M5 Mark II at a glance
  2. 2. Features
  3. 3. Viewfinder and screen
  4. 4. Build and handling
  5. 5. Focusing
  6. 6. Performance
  7. 7. 40MP composite mode
  8. 8. Image quality
  9. 9. Dynamic Range
  10. 10. Detail and Noise
  11. 11. Conclusion
  12. 12. Page 12
Page 11 of 12 - Show Full List
  • Richard Anderson

    In reality, the 40MP mode’s resolution is about 50MP and is clearly better than the Nikon D810, if you directly compare them. The file stipulates 63MP, it’s size that is.
    All you need to do is run one sharpening pass in whatever program you use.