Olympus Pen E-PL5 review
The image quality is very good, although there is still some room for improvement. I would recommend that anyone shooting with an E-PL5 use raw capture where possible to really get the maximum from their images, or at least adjust the JPEG parameters. However, for those more interested in getting a great shot than peeping at pixels, the colours, tone and contrast of images are superb.
As stated in my test of the E-PM2, it really feels like the Olympus Pen series cameras have come of age with this latest generation. Increasing the resolution has helped to place the E-PL5 on a par with its competitors, but with the advantage of having smaller lenses.
Olympus Pen E-PL5 - Key features
One of the big differences between the E-PM2 and the E-PL5 is the mode dial on the E-PL5's top-plate.
The AP2 port allows the connection of the small FL-LM1 flash, an electronic viewfinder, MAL-1 Macro Arm Light or SEMA 1 microphone adapter.
Direct video record
The E-PL5 has a direct video capture button that is neatly positioned for easy access while shooting.
This wheel rotates around the control buttons to allow menus and images to be scrolled through quickly.
The Olympus Pen E-PM2 and E-PL5 don't have a built-in flash. Like the Sony NEX cameras, a small external flash unit, the FL-LM1, is included with the cameras. This small pop-up flash can also act
as a wireless controller for compatible Olympus flashguns.
As well as in-camera, sensor-shift stabilisation, the E-PL5 can also take advantage of the Panasonic micro four thirds lenses that have built-in lens stabilisation. This feature can be switched on in the camera's menu.
One useful feature tucked away in the custom menu is the ability to change the clipping points in the histogram display. By setting the highlight point of the histogram to 250 rather than 255, you can use the histogram to make sure that blown-out highlights are completely avoided.
It is possible to edit raw images in the E-PL5 and save them as JPEG images. However, it is now also possible to save two preset raw development settings and apply them when converting images to JPEGs in-camera.