Manhattan Bridge, Lower East Side, NY, 1937.web© Estate of Berenice Abbott/Getty Images. Image courtesy of Beetles+Huxley

Beetles+Huxley, which will host the show at its gallery near Regent Street, hails the exhibition as the ‘first career-encompassing retrospective to be mounted in the UK’.

Gallery director Giles Huxley-Parlour said: ‘Berenice Abbott was a ceaseless innovator and technical master.

‘Whilst her New York photographs are justly famous, much of her work has not received the attention it deserves.

‘She was pioneering in her unerring modernism and dogged determination that photography should always teach.’

Describing the show, which opens on 27 October, the gallery said in a statement: ‘Stretching from her early celebrity portraits through [to] her famous Changing New York project – to her ground-breaking science photography – the exhibition will bring Abbott’s genius to London.’

Abbott’s career began in 1923 in France, when she served as a darkroom apprentice to her friend Man Ray in Paris, before opening her own studio in 1926 where she took portraits of leading artists and writers.

‘The exhibition will include a selection of these early portraits, revealing the influence of Man Ray and the Surrealists,’ the gallery added. ‘The famous sitters include James Joyce, Max Ernst (pictured below) and Eugène Atget.’

Abbott returned to New York in 1929, where she embarked on a ten-year project which she later called ‘Changing New York’, praised by Beetles+Huxley as a ‘colossal testament to the dizzying scale and extreme contrasts of the most advanced metropolis in the world’.

Highlights of the show are expected to include Abbott’s ‘Nightview, New York (1932)’, which features images captured from a window on one of the top floors of the Empire State Building.

Commenting on this image (below), the gallery explained: ‘Abbott wanted to capture the city in darkness before the office lights were turned off.

‘Using an exposure time of 15 minutes on her large-format camera, the photograph shows the frenetic energy of the city in a formalist study of the geometric shapes created by Manhattan’s skyscrapers.’

Night View New York, 1932.web© Estate of Berenice Abbott/Getty Images. Image courtesy of Beetles+Huxley

The acclaimed photographer would later document other US cities and move on to explore scientific photography.

The display will include Abbott’s account of the American Scene – a series she created on a road trip from Maine to Florida.

The Berenice Abbott exhibition runs from 27 October-21 November at Beetles+Huxley, 3-5 Swallow Street, London W1B 4DE.

Magnetism with Key.web© Estate of Berenice Abbott/Getty Images. Image courtesy of Beetles+Huxley

Max Ernst.web© Estate of Berenice Abbott/Getty Images. Image courtesy of Beetles+Huxley